Neumann TLM 67

47, 67, 87; these numbers evoke great associations in the world of studio microphones that make professionals go into raptures. Of course, it's not by chance that the TLM 67 bears its two numbers in its name. In many respects, the workhorse of the 1960s, the legendary U 67, is a reference for the TLM 67. For example, it also uses the K 67 capsule as its heart, and the new, special circuit design is closely based on the sound characteristics of the classic, but does without the use of a tube. A similar Neumann circuit technology has already proven very successful in the TLM 49.Three switchable polar patterns (omnidirectional, cardioid, figure-of-eight), a switchable 10 dB pre-attenuation and a high-pass filter make the TLM 67 very universally applicable and allow detailed adjustment to the respective recording situation.

• Acoustic mode of operation: Pressure gradient receiver
• Pattern: omnidirectional/cardioid/octave
• &transmission range: 20 Hz...20 kHz
• Field transfer factor at 1 kHz at 1 kOhm: 10/18/9 mV/Pa
• Nominal impedance: 50 Ohm
• Nominal load impedance: 1 kOhm
• Maximum output voltage: -1 dBu
• requires 48V phantom power
• Includes wooden case
• . Wooden case
• without mount (matching EA 87 spider available as an option)