The Sequential Trigon 6 desktop module offers the same massive sound and hands-on control over timbre shaping as the Trigon 6 keyboard. It has the same all-analogue signal path with discrete oscillators and filters, and the same high-quality digital effects. It also has the same intuitive layout with full-size knobs and switches that make creating new sounds quick and easy.
The Trigon 6 module sounds huge - just like the keyboard, because it's the same six-voice polyphonic instrument, just in a smaller form factor. And if you want even more polyphony, you can use the poly-chain function to combine any two Trigon-6 modules into an impressive twelve-voice synthesiser!

The Trigon-6 is Sequential's polyphonic version of the classic, thick and creamy analogue 3-oscillator-plus-ladder-filter sound that defined the dawn of the synth era. It's a sound that bridges genres and styles - now refined and redefined with Sequential's own modern twist.

At the heart of the Trigon 6 sound are three newly developed voltage-controlled oscillators (with triangle, saw and pulse waves) and an improved version of the ladder filter that Sequential developed for its Pro 3 monosynthesiser. The switchable 2/4-pole resonant filter design features dedicated Drive and Feedback controls that allow you to effortlessly go from silky and smooth to fat and crunchy with a simple knob turn.

Of course, the Trigon-6 has the full range of Sequential's must-have sound-sculpting features, including super-fast envelopes, a syncable LFO with multiple waveforms and destinations, a polyphonic step sequencer and an arpeggiator. Best of all, the knobs on the front of the Trigon-6 let you control these functions with your fingertips. And the pre-made collection of 500 factory and 500 user presets offers a wide range of basses, leads and pads to get any project going.

The dual effects section offers studio-quality reverb, delay (standard and BBD), chorus, flanger, phaser and ring modulator. The independent stereo distortion effect adds aggression when needed and is 100% analogue.
Adjustable vintage character
To add even more classic, organic warmth to an already classic synth, there's the Vintage knob, which allows variations in calibration and component behaviour from voice to voice. The vintage character can be adjusted from subtle to extreme to emulate the stability of a perfect modern instrument or a dated relic.

With all that the Trigon-6 has to offer, it's amazing that this analogue behemoth is housed in a desktop module light enough to carry in a backpack. And with Trigon's new MPE compatibility, this instrument is more playable and nuanced than ever before. It's the perfect choice for the project studio or the musician looking for the ultimate sequential synthesis experience.

• Model: Trigon-6 Module
• Desktop version of the Trigon-6
• Three discrete VCOs per voice
• Simultaneously selectable waveforms: Triangle, sawtooth, inverted sawtooth and variable-width pulse
• Pulse width per oscillator
• Hard Sync: Oscillator 1 synchronises with oscillator 2
• LFO mode (oscillator 3)
• Keyboard tracking on/off (oscillator 3)
• Oscillator feedback and drive control for increased signal saturation
• White noise source
• Keyboard pitch tracking on/off
• Switchable two/four-pole, discrete, resonant low-pass filter per voice
• Filter can be set to self-oscillation with resonance control
• Bi-polar filter envelope value
• Speed modulation of the envelope
• Keyboard tracking: off, half, full
• Filter envelope: four-stage (ADSR) envelope generator
• Speed modulation of the envelope
• Amplifier envelope: Four-stage (ADSR) envelope generator
• Speed modulation of the envelope
• LFO: Five waveforms: Sine, sawtooth, inverted sawtooth, square and random (sample and hold)
• LFO synchronisation
• Initial Amount
• Modulation targets: Oscillator 1 frequency, Oscillator 2 frequency, Oscillator 3 frequency, Oscillator 1 pulse width, Oscillator 2 pulse width, Oscillator 3 pulse width, Filter cutoff, Amp (VCA).
• Poly Mod sources: Oscillator 3 (bi-polar) and filter envelope (bi-polar).
• Poly Mod targets: Oscillator 1 frequency, Oscillator 2 frequency, Oscillator 3 frequency, Oscillator 1 pulse width, Oscillator 2 pulse width, Filter cutoff, Feedback portion.
• Recreates vintage synth characteristics by adding variations in component behaviour from voice to voice
• Aftertouch source: channel (mono) aftertouch with bipolar component
• Aftertouch Targets: Targets: Oscillator 1 frequency, Oscillator 2 frequency, Oscillator 3 frequency, LFO portion, Amplifier envelope portion, Filter envelope portion, FX mix A, FX mix B.
• Clock with tap tempo
• BPM control and display
• MIDI clock sync
• Arpeggiator selectable note value: 16th note, 8th triplet, 8th note, dotted 8th note, quarter note
• Arpeggiator range of one, two or three octaves
• Up, down, up/down, random and assign mode
• Polyphonic step sequencer with up to 64 steps and pauses
• Analogue stereo distortion
• Two 24-bit 48 kHz digital effects, including: Reverb (room, hall, plate and spring), delay (full-bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator
• Delay sync
• True bypass ensures a fully analogue signal path when digital effects are switched off
• Full-size semi-weighted 4-octave keyboard with velocity and aftertouch
• Illuminated pitch and modulation wheels
• Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
• Transpose control for an 8-octave range
• Hold switch holds held notes
• Polyphonic portamento
• Unison mode (monophonic) with configurable number of voices, from one to all six voices, chord memory and key modes
• Preset switch: when on, the control panel is live - what you see is what you hear
• Patch memory: 500 user and 500 factory programmes in 10 banks of 100 programmes each
• Direct programme access, including access to the current set of 10 programmes with one button
• Audio outputs: left/mono and right (2 x 6.3 mm jack plugs), headphone output (stereo, 6.3 mm jack plug)
• MIDI input, output and Thru connectors
• USB for bidirectional MIDI communication
• Filter cutoff input for expression pedal
• Expression pedal input for volume control
• Sustain footswitch input
• Input for sequencer start/stop footswitch
• IEC AC connector for internal power supply
• Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; maximum power consumption 30 watts
• Maple wood end plates
• Dimensions: 55,88 cm x 21,46 cm x 11,53 cm
• Weight: 4,95 kg